Tetsuo Ironman was the debut film by the legendary Japanese film director Shinya Tsukamoto. The film is of course in another language, but you should consider putting it on your downloads queue next time you sign into your movie download service because it's not THAT kind of foreign movie. It's a horror action film, so there's always something happening on screen. The dialog isn't what's important. You can follow the story with the subtitles off and still understand it about as well as anyone else... Which isn't saying much, considering how strange the film is.
The movie focuses on a Japanese salary man who suddenly starts sprouting pieces of scrap metal from his body one day. It's very much in the same category as Japanese surrealist authors like Kobo Abe, where weird things just suddenly start happening for no real reason in particular. It kind of drives home the point that... Life is weird and unpredictable, and there's really no inherent meaning to it all so... Just enjoy the long strange trip for what it is.
The movie was based on the idea of making a monster movie like Godzilla, but with a human sized beast. So the Salary Man, as he transforms more and more into a heaping hunk of metal, has to do battle with Tetsuo, who, also, has grown into a heap of metal. They have a showdown in a junkyard where both have developed the ability to absorb all of the metal around them through... Magnetism, or chemistry or something. Your guess is as good as anyone else's.
This is the movie people point to when they talk about Japanese cyberpunk, which has always been more focused on the imagery of industrial machinery, steam, sparks and electricity than on the relations between man and computers. If you want to see more of this genre, you should also check out Electric Dragon 80000v and Burst City, which are considered two classics in this genre.
The movie is fast paced, sort of confusing, but ultimately, it really works well as a sort of horror movie slash action flick. It has an incredible nightmarish look to it, utilizing stop motion special effects, cheap props and costume that look more real because they're not makeup. They actually glued pieces of metal to the actors faces in order to get the look they were going for.
The film draws a lot of influence from two sources: Eraserhead, and David Cronenberg's Videodrome. Both of these films greatly contributed to its look, with Shinya Tsukamoto being a particularly big fan of Cronenberg's entire library of work. A warning, though, if those movies made you squeamish, this one will make you twice as squeamish. As surreal as the imagery is, it still might gross you out just a bit.
Tsukamoto has since created some of the greatest films to come out of Japan in the last few decades. In particular, Tokyo Fist is a real classic, and one of the greatest films ever made on the subject of the male ego and what can happen when a conflict is allowed to snowball with neither side backing down. It's really a great, deep look at what it means to be a man.
Tsukamoto is also an interesting actor, doing some bit parts for various Takashi Miike films. He also has another Tetsuo movie coming out, Tetsuo: Bulletman. It's clear that, while he's already been making movies for twenty years, he is nevertheless just now warming up.
The movie focuses on a Japanese salary man who suddenly starts sprouting pieces of scrap metal from his body one day. It's very much in the same category as Japanese surrealist authors like Kobo Abe, where weird things just suddenly start happening for no real reason in particular. It kind of drives home the point that... Life is weird and unpredictable, and there's really no inherent meaning to it all so... Just enjoy the long strange trip for what it is.
The movie was based on the idea of making a monster movie like Godzilla, but with a human sized beast. So the Salary Man, as he transforms more and more into a heaping hunk of metal, has to do battle with Tetsuo, who, also, has grown into a heap of metal. They have a showdown in a junkyard where both have developed the ability to absorb all of the metal around them through... Magnetism, or chemistry or something. Your guess is as good as anyone else's.
This is the movie people point to when they talk about Japanese cyberpunk, which has always been more focused on the imagery of industrial machinery, steam, sparks and electricity than on the relations between man and computers. If you want to see more of this genre, you should also check out Electric Dragon 80000v and Burst City, which are considered two classics in this genre.
The movie is fast paced, sort of confusing, but ultimately, it really works well as a sort of horror movie slash action flick. It has an incredible nightmarish look to it, utilizing stop motion special effects, cheap props and costume that look more real because they're not makeup. They actually glued pieces of metal to the actors faces in order to get the look they were going for.
The film draws a lot of influence from two sources: Eraserhead, and David Cronenberg's Videodrome. Both of these films greatly contributed to its look, with Shinya Tsukamoto being a particularly big fan of Cronenberg's entire library of work. A warning, though, if those movies made you squeamish, this one will make you twice as squeamish. As surreal as the imagery is, it still might gross you out just a bit.
Tsukamoto has since created some of the greatest films to come out of Japan in the last few decades. In particular, Tokyo Fist is a real classic, and one of the greatest films ever made on the subject of the male ego and what can happen when a conflict is allowed to snowball with neither side backing down. It's really a great, deep look at what it means to be a man.
Tsukamoto is also an interesting actor, doing some bit parts for various Takashi Miike films. He also has another Tetsuo movie coming out, Tetsuo: Bulletman. It's clear that, while he's already been making movies for twenty years, he is nevertheless just now warming up.
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